Email clairem@ag.nsw.gov.au. Richard Coleman., The Sydney Morning Herald, 'Doctor's theory may help self portraits', Sydney, 03 Apr 1981, (illus.). In writing about Brett Whiteley, it is tempting to simply present the facts and let the reader draw his/her own conclusions, such are the contradictions. 36. Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, In front of 'Art, life and the other thing', 1978, Brett Whiteley, 'Self portrait after three bottles of wine', 1971, Art Gallery of New South Wales. Brett Whiteley - Far North Queensland (1992) oil, earth, charcoal, collage on plywood. In London he excited art dealers and fell under the influence of painters such as Francis Bacon. After leaving school in 1956 at the age of 17, Whiteley worked in Sydney for the advertising agency Lintas. This is the same article that appeared in `The Saturday Mercury', titled `Whiteley gone but his great spirit lingers on', 20 June, 1992. Free entry, Find out what you need to know before visiting, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Australian icons: twenty artists from the collection, Affinities: Brett Whiteley & Lloyd Rees (2001). [18], In 1999, Whiteley's painting The Jacaranda tree (1977), which had won the Wynne Prize, sold for A$1,982,000,[19] a record for a modern Australian painter at that time. One image which uses van Gogh's style in a unique way is The night caf (197172). Brett Whiteley is one of Australias most celebrated artists. Britt Larsson., The Sydney Morning Herald, 'Whiteley's poser', Sydney, 10 Dec 1977, 16 (illus.). Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. 165-213, Kensington, 1979, 204 (colour illus. (Bibliographic reference no. In little more than two years Whiteley had moved from a languorous vision of the studio to a sensational, confessional self-portrait set against a pale, terracotta ground. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. There are two illustrations of `Self Portrait in the Studio' in this article. This approach was intended to allow Whiteley to speak "in his own words" about his life and art. 1 whit.jpg. Brett Whiteley AO (19391992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. For further information please contact NPG Copyright. Whitely started working as a artist in the studio of the Lintas Advertising Agency in Sydney and participated in John Santry's . This article appeared in 'The Arts' section, and Dr. Keeney discusses problems artists have when painting their own hands. From $32.10. This article was written in regards to Whiteley winning both the Archibald, and Sulman prizes in 1977. unknown author., Northern Star, 'Archibald Prize won by Sydney artist', Lismore, 22 Jan 1977. unknown author., The Australian, 'Archibald Reflection', Sydney, 22 Jan 1977. Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. Brett WhiteleySelf Portrait In The Studio 1976Music: 4 minute excerpt from The Pipes of Pan at Joujouka (Brian Jones 1968)Track: Your Eyes Are Like A Cup of . ", Whiteley became increasingly dependent on alcohol and also became addicted to heroin. Deborah Edwards, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, 'Introduction', pg. Brett Whiteley AO (7 April 1939 15 June 1992) was an Australian artist. A detail of Whiteley's self portrait is accompanied with a photograph of the artist. Source: Art Gallery of New South Wales Archive, Brett Whiteley in his studio, 1976, by Robert Walker Estate of Robert Walker. ), 145 (colour illus.). Martin Terry, Masterpieces of Australian Painting, 'Brett Whiteley b.Sydney 1939', pg. The scholarship enabled Whiteley to travel to Europe and experience first-hand much of the art he had only seen in reproduction. From $35.80. 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. Whiteley won his first major prize at the age of 20, the Italian Travelling Art Scholarship, awarded by Sir Russell Drysdale. See opening hours plate no. Alivea Goncalves Stevenson told of her family's relief that a suspect is in custody for her sister, Kaylee's, brutal murder on November 13. (Above) Brett Whiteley Self portrait in the studio 1976 oil, collage, hair on canvas, 200.5 x 259 cm [6] His first impression of New York was shown in the painting First sensation of New York City, which showed streets with fast moving vehicles, street signs, hot dog vendors, and tall buildings. His last studio and home at 2 Raper Street, Surry Hills in Sydney is now a museum managed by the Art Gallery of NSW. WikiZero zgr Ansiklopedi - Wikipedia Okumann En Kolay Yolu 63-87, Sydney, 1999, 77 (colour illus. 1928 Dr Alexander Leeper by John Longstaff. I remember having this very, very powerful sense that my destiny was to completely give myself to painting that I would be a painter and it was a remarkable moment of knowing that. A day at Bondi Brett Whiteley . List of works. Brett Whiteley's 'Self portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. unknown author., The Australian, 'Under lock and key', Sydney, 19 Jun 1992, 11. The illustration in this publication is a detail of this image. Jill Sykes (Editor), Look, 'What's on elsewhere', pg. Susan McCulloch, Alan McCulloch and Emily McCulloch Childs, The new McCulloch's encyclopedia of Australian art, Carlton, 2006, 1085 (colour illus.). Christine Bates, Making art connections: Visual arts years 7 & 8, 'Lets make an artwork: Staying in/going out', pg. 23, Sydney, 2008, 3, 22 (colour illus. As it turned out, he could be neither scared nor shamed into giving up heroin. Andrew Powell, Departures, 'Sydney[.] Balmoral Brett Whiteley 1978. Brett Whiteley Self Portrait In The Studio Framed Print . He also showed his large T-shirt collection, and talks about his sculpture, which he said is an aspect of his work that many people do not take seriously. Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century Art', pg. The painting is set in Brett Whiteley's studio with his furniture and includes his other artworks around him. It started with a peaceful, dreamlike, serene ocean scene on one side, that worked its way to destruction and chaos in a mass of lighting, red colours and explosions on the other side. Yet he would survive for another 14 years, fatally succumbing to his drug addiction in a motel room at Thirroul on the south coast of New South Wales in 1992. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald, Wynne and Sulman prizes. 6-33, Brisbane, 2004, 22 (colour illus. Expressive, lively and playful, Brett Whiteleys sketches and drawings not only provided the foundations for his paintings, sculptures and prints, they also demonstrate the joy of capturing a moment on paper, indulging in an idea or creative concept. How did his studio inspire Brett Whiteleys art-making? Elwyn Lynn, The Independent Monthly, 'Luscious Ornaments', pg. The illustration is a detail of Whiteley's 'Self Portrait in the Studio'. Whiteley looks out at us directly, with none of the emotional address of his early Van Gogh style portrait, none of the mock decadence of 1976, or the drug-fuelled angst of 1978. In these pictures the influence of Matisse reaches its apogee. ), 231. plate no. In the midst of such inner turmoil, the Self-portrait of 1977, is a remarkably straight work a still point in a stormy decade. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. Dr. Virginia Keeney is photographed examining Whiteley's self portrait. 'Review' magazine. Kandinsky had a complex, theoretical understanding of the term, involving the artists personality, the context of their times, and the harmonious nature of a composition. Were not looking at a would-be genius or a sinful penitent. . The Australian artist is often celebrated for his painting but all his works had drawing at their core. Sandra McGrath., The Australian, 'The making of an authentic genius', Sydney, 24 Jan 1977, 8 (illus.). Yet Whiteley is always attempting to seduce the viewer, while Matisse had an underlying toughness . Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 22 Jan 1977-27 Feb 1977. His poems have appeared in various anthologies, including those of the Newcastle Poets at the Pub; on various websites including the Black Dog Institute and the ABC; and on the walls of the New England Regional Art Museum with a Brett Whiteley self-portrait (2014) and the SCG Museum with Doug Walters Test cap (2014). This article appeared in the `Art' section of the newspaper. This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. However Marlborough-Gerson, his gallery, refused to show the work, and he was so distraught that he decided to leave New York, and he 'fled' to Fiji. Portraiture for Brett Whiteley was an insight into the psychology of the human condition. Discusses how alcohol opens up circus of the imagination which Whiteley feared he would not be able to reach otherwise. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Brett Whiteley Self Portrait In The Studio Framed Print . This article looks at art reflecting society. His first Archibald award, Self portrait in the studio, in deep bluish tones, shows an image of his studio at Lavender Bay overlooking Sydney Harbour, with his own reflection in a mirror shown at the bottom of the picture; a view of Sydney Harbour on the left establishes the location of the picture. I think that the artwork is set in Brett Whiteley's studio Barbara Konkolowicz, A different vision, Sydney, 1998. No other artist left traces of his own locks on so many canvases. He worked across painting, sculpture and the graphic arts, and is best known for his sensual and lyrical paintings of interiors, nudes and harbour scenes. This article refers to Whiteley winning both the Archibald and Sulman prizes in 1977. In 1976 he won both the Archibald Prize for portraiture and the Sulman Prize for genre painting and, the following year, the Wynne Prize for landscape. 'Strung between triumph, tragedy' an obituary by Barry Pearce. Whiteleys art was intimately connected to his tumultuous, creative life. 1975: Kevin Connor - The Hon Sir Frank Kitto, KBE; 1976: Brett Whiteley - Self Portrait in the Studio; 1977: Kevin Connor - Robert Klippel; 1978: Brett Whiteley - Art, Life and the other thing; 1979: Wes Walters - Portrait of Phillip Adams; 1980: No award; 1981: Eric Smith - Rudy Komon; An astonishing exhibition. Shop with Afterpay on eligible items. Terry Smith, Australian cultural history, 'Populism and Privilege in Australian Painting', pg. 81-82, Port Melbourne, 1998, 82 (colour illus.). How does it make you feel? The famed author Mishima had committed seppuku in 1970 and the literary mythology that arose of his apparent final vision of enlightenment in the form of the exploding sun, as he pressed the knife into his body, inspired and became the basis for this work. It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. Self-portrait with reading specs, 1991. Gareth Sansom (born 19 November 1939) is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.. Best known for introducing new themes and subject-matter into Australian art and being one of the first Australian artists to be influenced by Pop art, particularly British Pop artists like Peter Blake, Allen Jones, Derek Boshier . BRETT WHITELEY (1939 - 1992) GARDEN, 1975 brush and sepia ink on paper 84.5 x 75.0 cm stamped lower. Get the best deals on Brett Whiteley Art. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. David Christian, 'At Lintas advertising agency, Sydney', c1956. Published in Deutscher and Hackett: IMPORTANT AUSTRALIAN + INTERNATIONAL FINE ART, Braving Time: Contemporary Art in Queer Australia. Nevertheless, within this perceived enlightened sense of judging, the Trustees reverted to traditional form with the award going to William Pidgeon in 1961 for Rabbi Dr I. Porush. 9-13, Cammeray, (1995-1996), 9-13. Whiteley's sculpture, Nude (1962) Brett Whiteley AO (7 April 1939 - 15 June 1992) was an Australian artist. I agree to terms and conditions. How would the space be divided and what objects of inspiration would be around you? In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. List of works . Clem Lloyd and Peter Sekuless, Australia's national collections, Sydney, 1980, 261 (colour illus.). Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. However, this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. This appeared in the `Arts' section of `The Australian Supplement'. He died following an overdose of heroin in a motel in Thirroul, NSW in the winter of 1992. In the late 1970s, Brett Whiteley won the Archibald, Wynne and Sulman prizes several times. 15 Jun 1992. This article is accompanied by a photograph of John Olsen looking at a section of Whiteley's prize-winning painting. How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? The immediate effect was a heightening of reality in that everything I looked at took on an intensity That morning returning to school by bus, I remember the poplar trees were bare for winter but it took me years to paint what I saw. Sandra Jane, Art is making, creating and appreciating 2, Milton, 1999, 121 (colour illus. Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). signed lower right: BRETT WHITELEY, [1] Wilson, Ashleigh, Brett Whiteley: Art, Life and the Other Thing, Text Publlishing, Melbourne, 2016, p.272, [2] Berg, Charles, The Unconscious Significance of Hair, George Allen & Unwin, London, 1951, [3] Whiteley, Brett, quoted in Sandra McGrath, Brett Whiteley, Bay Books, Sydney, 1979, p.219, [4] Kandinsky, Wassily, On the Spiritual in Art, 1910 (mutiple editions). Works of art from the collection are reproduced as per the, Let me know when this portraits on display. The young Whiteley duplicates the three-quarter turn of the head, the painters sullen-or-soulful gaze which holds the viewers eye. Born: Longueville, Sydney, New South Wales, Australia 07 Apr 1939, Died: Thirroul, Wollongong, New South Wales, Australia 15 Jun 1992, Brett Whiteley in North Sydney house, date unknown, by Robert Walker Estate of Robert Walker. 20-21, Heidelberg, May 1997, 21 (colour illus.). Gift of Patrick Corrigan AM 2004. Terry Ingram discusses current art market, and valuation of Whiteley's work. Robert Walker, Gift of the Robert Walker family 2008, Brett Whiteley, 'Art, life and the other thing', 1978, Art Gallery of New South Wales. The resulting work was called The American dream, an enormous work that used painting and collage and anything else he could find on the 18 wooden panels. Museum of Applied Arts and Sciences, Ken Done: The Art of Design, Sydney, 1994, 32 (illus.). In 1959 he was awarded the Italian Government Travelling Art Scholarship, which was judged by Australian artist Russell Drysdale at the Art Gallery of NSW. Reading from left to right, it begins with an exploding sun from a portrait of Yukio Mishima that Whiteley had started but never completed. But this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. 15-41, London, 1995, 35-36, 145 (colour illus. 9. Brett Whiteley. Richard Hall (Editor), Sydney: an Oxford anthology, South Melbourne, 2000, front cover (colour illus.). . Brett Whiteley AO (1939 - 1992) Born 7 April 1939 Sydney, New South Wales Died 15 June 1992 (aged 53) Thirroul, New South Wales Education Julian Ashton Art School Known for Visual arts Movement Avant-garde Awards: Biennale de Paris - International Prize for Young Artists 1962 Archibald Prize 1976 Self Portrait in the Studio, 1978 He also painted the darling harbour and the opera because he lived in sydney. Their only child, daughter Arkie Whiteley, was born in London in 1964. 'Self Portrait in Studio' was created in 1976 by Brett Whiteley in Fauvism style. Bill Gregory, Art and Australia (Vol. [4] For Whiteley it was more like a compulsion to break the imaginary rules of painting, to be spontaneous and transgressive and to be recognised for these revolutionary gestures. The music will be written by Elena Kats-Chernin, with a libretto by Justin Fleming. oil and hair on canvas Critique of Whiteley. But at his best, Whiteley was brilliant and a major achievement of the film is that it focuses on this aspect of his art. In 1978, Whiteley entered another controversial self-portrait into the Archibald Prize 'Art, life and the other thing and it too made an immediate impact. Photograph the space around you then draw or paint a series of sketches of this room and several items in it that are important to you. During this time, Whiteley also painted works based on the animals at the London Zoo, such as Two Indonesian giraffes, which he found sometimes difficult. On one level TheCompanion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. Exhibition Commentary: Brett Whiteley at Bonython, Sydney. ), 205 (colour detail illus.). 9. Barry Pearce, Three years on: a selection of acquisitions 1978-1981, 'Australian Art', pg. 9 (verso) in education pack. The 44-year-old Hele's winning entry was a portrait of Mr Robert Campbell, South Australian National Art Gallery director.'. 6-7, Melbourne, Jul 1996, 6 (illus. The elongated centre image of Whiteley references the uproar over William Dobells unconventional Archibald-winning portrait of Joshua Smith of 1943. 47-49, Sydney, Nov 2008, 47 (colour illus.). Melissa Phegan., Daily telegraph mirror, 'The passion and pain of Brett Whiteley', Sydney, 21 Jul 1992, (illus.). Whiteley painted other images of the Australian landscape, including a view of the south coast of New South Wales after it had been raining called The South Coast after rain. 174-195, Oxford, 2001, 190 (colour illus.). Do you feel welcomed or uncomfortable? Editor Unknown (Editor), Brett Whiteley The Retrospective, This exhibition travelled to Victoria from New South Wales, Melbourne, pre 02 Jul 1996, Cover (colour illus.). ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. Free delivery and returns on eBay Plus items for Plus members. 07 Apr 1939 His paintings during these years were influenced by the modernist British art of the sixties particularly the works of William Scott and Roger Hilton and were of brownish abstract forms. This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. Jenny Aland and Max Darby (Editors), Art Connections, 'Visual design or plan of artworks', pg. Fields marked with an asterisk (*) are required. Elwyn Lynn., The Australian, 'A life of eternal struggle'; 'Golden boy's genius worthy of adulation', Sydney, 17 Jun 1992, 1, 16 (illus.). It has been regarded as a self-portrait, a giant outpouring of energy and ideas brought forth over a long period of time.